Critical Mass PR

Author David Meerman Scott and HubSpot co-founder Brian Halligan hosted a fun Webinar yesterday for marketing and communication professionals entitled “Marketing Lessons From The Grateful Dead” (Replay Here).

I’m an easy sell when a classic rock or jam band theme is afoot and, besides, the hosts were putting their respective “World Wide Rave” and “Inbound Marketing” mantras into practice by providing valuable content at no cost to their audience.

Both gents did a nice job relating characteristics of the Grateful Dead with communication and content marketing concepts; even noting that, just as The Dead improvised during their long concert jams, they too were creating much of Thursday’s Webinar as the went along.

The most interesting thing about the Grateful Dead is their unique sound – tapping jazz, blues and psychedelic era influences – and the way they distribute and share it. While the band occasionally released studio albums until the death of Jerry Garcia in 1995, their live shows are what made them remarkable according to Halligan. I agree, and although I’m not a Dead Head to the core I’ve certainly learned to appreciate the band’s music through its live recordings.

(Musical interlude #1 – I don’t think the band’s 1980’s studio album output – my era of introduction – was that bad either. Removing official live album releases you have “Go To Heaven” (’80) “In The Dark” (’87) and “Built To Last (’89). “In The Dark” alone gave us great songs including “Touch of Grey,” “Hell In a Bucket” and “Throwing Stones.” You may recall the “Touch of Grey” video that gave the band a brief MTV run.)

Letting fans record concerts for free is the cornerstone of the band’s strategy even today (post-Garcia iterations include The Other Ones, Phil Lesh & Friends, The Dead, and Furthur). The band has always allowed this, even staging designated recording equipment areas at their shows. This was the “original freemium model” as Halligan puts it, and it created viral, word-of-mouth marketing among fans who still spent plenty of money on concert tickets, T-shirts and posters; making album sales concerns an afterthought.

The Dead are willing to lose control of their marketing by letting fans define them and giving much of their music away for free. This has made all the difference in terms of the band’s long running success. Halligan and Meerman Scott implore marketers to engage in similar activities, creating great content that is meaningful for an audience instead of being all about products and services. Business opportunities and sales results follow as a content strategy develops awareness, reach and trust.

Meerman Scott reminds us that most organizations operate in a command and control environment with mission statements, boilerplate descriptions and processes and PR messages. “This stuff doesn’t spread much,” he said when suggesting businesses let people talk about them as they will, without dictating how they should say it. (I commented on dictation and collaboration previously in a Social CRM guest post for CRM Magazine). It’s a leap for anyone set in their ways, yet if you can accept letting prospects and customers use your information in a context that is valuable for them and their social networks, the likelihood of gaining favorability among them is infinitely better.

In The DARC

Halligan mentioned one of my favorites from his book “Inbound Marketing” with Dharmesh Shah as the hour concluded. Certain traits are desired when assembling top quality marketing and communication teams in the digital era. He and Shah offer the DARC acronym as a guideline, suggesting you seek people who are digital natives, analytical, have social reach and are content creators. (I explored this further in conversation with Halligan earlier this year.)

Several other points I liked from the Grateful Dead Marketing set:

• Halligan noted it is ok to “be worse than your competition in some ways.” The Dead were much worse at studio albums by most fan standards while better than most anybody else at live concerts. Focusing on your core competency helps you stand out.
• Modern marketing professionals are half marketer and half content creator. Your library of content stacks up over time and starts to pull people towards your business.
• Enable your fans to help spread your message. It’s simple and I like it. If you develop ebooks or whitepapers only to cage them behind lead generation forms, you’ve left most of your potential audience in the dark. Set these things free (and tag them with your contact info and social sites) – the goodness will come back to you!
• The Dead were experimenters, improvising within songs every night. No show was the same. “Sometimes they laid an egg,” says Halligan, but they failed fast and moved on to the next show. Quick cycles of experimentation work well in the new world of marketing.
• Your best fans / customers ought to get special offers and news about your new products first. Meerman Scott says most of the time marketers do just the opposite, offering special pricing to first-time buyers and subscribers while giving the rest of their customer base the shaft.

If you attended the Webinar, watched the replay, or just dig Inbound Marketing, I would enjoy hearing your perspective.

(Musical interlude #2 – Speaking of free music, I’m a big fan of Wolfgang’s Vault which features dozens of Grateful Dead shows among its thousands of free concert streams spanning the 60’s to present day. Many of the shows, including some Dead shows, were originally staged by famed concert promoter Bill Graham and have great history behind them you can read about in the Vault. My favorite Dead show in the Vault thus far is the New Year Eve ’88 show from Oakland Coliseum Arena. A good three-hour vibe. And www.deadlistening.com is another place to discover shows.)